Today is the Feast of the Annunciation
of the Archangel Gabriel to the Most Blessed Virgin
As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!
Today is the Feast of the Annunciation
of the Archangel Gabriel to the Most Blessed Virgin
As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!
WISHING EVERYONE A BLESSED FEAST OF THE ASSUMPTION
Behold, Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, who sanctified this Feast with his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.
This performance is by Peter Phillips, conductor and the Tallis sholars.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Maria caelorum.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Regina caelorum, the Marian Antiphon to be used in the Roman Missal from February 2 until Wednesday of Holy Week.
The performance is by Chanticleer.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Exsultate Deo, the Introit for Feriae IV in the Ember days of September.
The performance is by the Voices of Ascension.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Iesus rex admirabilis, a hymn in honor of Christ the King but perhaps written for occasions of Exposition of the Most Blessed Sacrament.
The performance is by the Monteverdi Choir, conducted by John Eliot, in a Youtube Video which has garnered more than 1 million views since Sept 2008.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample the Gloria from his Missa papae Marcelli, in a performance by the Sistine Chapel Choir, in the presence of Pope Benedict XVI on the Feast of Saint Peter and Paul, June 2011, in the occasion of his 60th Anniversary of priestly ordination.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Today is the Feast of the Annunciation
of the Archangel Gabriel to the Most Blessed Virgin
As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Missa Gabriel Archangelus, a musical composition for the feast of the Archangel on March 24.
This performance is by the Choir of Swiss Radio.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Br. Bugnolo: I wish to publicly thank this great Archangel, who on his feast day enabled me to upload the Perpetual Supplica video in 24 minutes, when it normally takes 100! It was a miracle of cellphone technology.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Sicut cervus, a musical composition of a text used to promote devotion to the Sacred Heart of Jesus.
This performance is by the Sistine Chapel Choir, directed by Massimo Palombella.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Angus Dei, a musical composition for Mass.
This performance is by the Oxford Cammerata, conducted by Jonathan Summerly.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Ego sum panis visus, a musical composition for the the Feast of Corpus Christi. The Latin title, means, I am the living Bread.
This performance is by the King’s Singers.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Tu est Petrus, a musical composition for the Feast of Saint Peter the Apostle.
This performance is by the Tallis Scholars, with Peter Philips conducting.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Alma Redemptoris Mater, a musical composition for the hymn of the Divine Office during Christmas seasons, which hails Our Lady as Mother of the Redeemer, a title She merited by Her Fiat on March 25, which is soon approaching..
This performance is by the Tallis Scholars..
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Stabat Mater dolorosa, his musical composition for the hymn written by the Franciscan Bl. Thomas of Celano which commemorates the sorrows of Our Lady during the Passion of Our Lord Jesus Christ.
This performance is by the Tavener Consort.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
WISHING ONE AND ALL A BLESSED FEAST OF THE ASSUMPTION
Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, sanctified this Feast with his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.
This performance is by Peter Phillips, conductor and the Tallis sholars.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Missa brevis, a piece which is so named because of its shortness in length of time the voices sing.
This performance is by Peter Phillips, conductor and the vocal group “Intrada” headed by Ekaterina Antonenko. It was performed at the Rachmaninov Hall, Moscow Conservatory, Moscow, Russia.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Missa Papae Marcelli, a piece which was composed for the feast of the Martyr Pope Marcellus.
This performance is by Oxford Cammerata – Scholar Cantorum of Oxford, conducted by Jeremy Summerly.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Lamentationes Ieremiae prophetae, a piece which was composed for Holy Week, since it is from this prophet that the Fathers of the Church draw themes for the betrayal of Christ. The author of this video has illustrated it with images of Our Lady, since the Saints have often put these lamentations in the mouth of Our Lady of Sorrows, to help us understand Her sorrow after the burial of Her son and before His resurrection.
This performance is by Pro Cantione Antiqua with Bruno Turner conducting.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, whose fame has never been extinguished, we sample his Missa Aeterna Christi munera, so called, because it was composed for the Feast of Saints Peter and Paul, the Hymn for which begins with those words..
This performance is by the Oxford Camerata with Jeremy Summerly conducting
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
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