Tag Archives: Palestrina

ITALY: Bishop of Palestrina “excommunicates” Don Santonocito for saying “Bergoglio is not the Pope”

Canonical commentary by Br. Alexis Bugnolo

Traduzione italiana

Don Natale Santonocito, a priest of the suburbican diocese of Palestrina, was excommunicated yesterday by Msgr. Mauro Parmeggiani (yes, the same name as the cheese*), the Bishop of Palestrina-Tivoli, who declared an excommunication in virtue of canon 1364 for “heretical and schismatic” teachings.

The official Catholic Bishops’ Conference of Italy newspaper, L’Avvenire, says in the article above, that the priest was given an opportunity of legal defense with a lawyer assigned to him, ex officio. — In previous public statements, Don Santonocito said he would not oppose the extra-juridical process (a canonical process undertaken by a superior without the presence of a tribunal) because he did not recognize the appointment of Msgr. Parmeggiani as valid, it having been made by Pope Francis and not Pope Benedict XVI.

Father Santonocito holds that the Apostolic See is vacant after the death of Benedict and that Pope Francis by reason of his manifest heresy is ipso facto excommunicated and thus not the pope.

The excommunication was declared not imposed, since the announcement of the Diocesan Chancery cites canon 1364’s provision for latae sententiae excommunication.

This excommunication is null and void, in my opinion, for its error in ascribing Don Santonocito’s views to a crime punishable under canon 1364 for “heresy” or “schism”, since holding that a papal renunciation was invalid, when it was invalid, and hence that a conclave was invalid when it was invalid, are neither heretical nor schismatic acts, punishable by the Code of Canon Law. Don Santonocito has made clear in his many videos that he refuses communion with those he holds to be in manifest heresy (Pope Francis etc.) and thus cannot be held to be either a heretic or schismatic by intention. And without the intention to violate Canon 1364, a person cannot be punished.

The notice in the above news article tries to make it appear that Don Santonocito was sufficiently and duly notified of his errors and given a chance to retract them, but it is clear that Bishop Parmeggiani proceeded with a very shallow and incorrect view of the precise position of Don Santonocito.

Bishop Parmeggiani cannot, in my view, be excused of gravely violating the rights an good name of Don Natale Santonocito, because he has already received dozens if not hundreds of petitions to convoke a Provincial Council to hear the charges that Jorge Mario Bergoglio does not hold a valid claim to the Apostolic Throne. This makes Bishop Parmeggiani legally presumed to be in a state of bad will, precisely because he should have referred the case of Don Natale Santonocito to the Provincial Council, since what Don Natale is saying directly pertains to the charges in the Sutri Initiative. Bad will must also be presumed because the charges of heresy and schism to not apply to Don Natale Santonocito’s publicly affirmed positions.

By proceeding against Don Santonocito himself, and without bringing the matter before his diocesan tribunal, where the judges are supposed to be both learned in ecclesiastical jurisprudence and impartial, the Bishop has furthermore shown prejudice of aforethought against Don Santonocito.

In fact, I do not believe jurists trained in ecclesiastical right would have held Don Natale’s statements configurable under the delicts of heresy or schism, since all the classical sources of ecclesiastical right, expressly say such disagreements of opinion about papal elections and abdications are not such delicts.

Finally, the malice of Msgr. Parmeggiani is made most evident by the terms of his penal decree against Don Natale, which forbids him “to receive the Sacraments”. That blanket statement means that poor Don Natale, even if penitent, cannot go to confession again for the rest of his life. How is this in any way pastoral? Nay, it is clear that his bishop has an ideological-political motivation contrary to the entire Catholic Faith. — Even Heretics and Schismatics are allowed to receive the Sacrament of Penance, as this is the required means for them to be received back into the Church.

In short, Don Natale’s Bishop has shut the door in his face and nailed it shut. And for what?

Msgr. Mauro Parmeggiani is the first Bishop in the Roman Province to take public action which shows that he is an adherent to the heresies, blasphemies and apostasies of Jorge Mario Bergoglio. There are 14 other such Bishops in the province who have also been petitioned.

Supporters of the Sutri Initiative or of Don Santonocito can now appeal to the other 14 bishops and demand an immediate convocation of the Provincial Council to address the grave crimes committed against Don Santonocito and his serious allegations against Pope Francis. This is the true Catholic and juridical approach, it is also the true Synodal approach the Church has always used in the past in such grave matters pertaining to the Apostolic See, impeded by dubious claims of pretenders to the Throne of Saint Peter.

Don Santonocito’s own errors lie in thinking that just because he can discern manifest heresy in another person or superior, that that person is not a member of the Church nor holds an office. But this contradicts canon 194 §2, which says the loss of office for those who abandon the Catholic Faith does not take effect without the decree of the same competent authority which declared the heretical depravity. And this is precisely the reason for the necessity of the Sutri Initiative.

Needless to say, Catholics everywhere should be disappointed that superiors in the Church are acting in this manner. There seems to be a deep and habitual incapacity of so many of the clergy to confront the reality of their own actions and to follow the rules of their own Church. There also seems to be a total lack of fraternal interventions by fellow Clergy and Bishops to prevent mutual violations of ecclesiastical right. — Let us pray for our Bishops and our Priests, and let us do whatever we can to encourage them to be more respectful of one another for the sake of the weak who will be harmed by the scandals, like this, which erupt weekly.

______________

* The famous Italian cheese from Parma, Parmigiano, is the Italian standard for grating cheese over pasta, or eating cheese with green melons and cantaloupes. It’s name refers to the City from which it comes, that is the cheese of Parma, just as the surname of the Bishop means, those men from Parma. Parma is one of the principle cities of the Italian region of Emilia-Romagna, in Northern Italy. It’s more famous sister city is Bologna: and yes, that is where bologna, the cold-cut, originates.

Palestrina: Missa Gabriel Archangelus

Today is the Feast of the Annunciation
of the Archangel Gabriel to the Most Blessed Virgin

As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!

Palestrina: Missa Assumpta est Maria in Caelum

https://youtu.be/IksdCSgB–g

WISHING EVERYONE A BLESSED FEAST OF THE ASSUMPTION

Behold,  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, who sanctified this Feast with his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.

This performance is  by Peter Phillips, conductor and the Tallis sholars.

Palestrina: Ave Maria

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Maria caelorum.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Ave Regina caelorum

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Regina caelorum, the Marian Antiphon to be used in the Roman Missal from February 2 until Wednesday of Holy Week.

The performance is by Chanticleer.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Exsultate Deo

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Exsultate Deo, the Introit for Feriae IV in the Ember days of September.

The performance is by the Voices of Ascension.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Iesu, rex admirabilis

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Iesus rex admirabilis, a hymn in honor of Christ the King but perhaps written for occasions of Exposition of the Most Blessed Sacrament.

The performance is by the Monteverdi Choir, conducted by John Eliot, in a Youtube Video which has garnered more than 1 million views since Sept 2008.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa papae Marcelli, Credo with Pope Benedict XVI

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample the Gloria from his Missa papae Marcelli, in a performance by the Sistine Chapel Choir, in the presence of Pope Benedict XVI on the Feast of Saint Peter and Paul, June 2011, in the occasion of his 60th Anniversary of priestly ordination.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa Gabriel Archangelus

Today is the Feast of the Annunciation
of the Archangel Gabriel to the Most Blessed Virgin

As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!

https://youtu.be/6FxVPcHgAsM

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Missa Gabriel Archangelus, a musical composition for the feast of the Archangel on March 24.

This performance is  by the Choir of Swiss Radio.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

Br. Bugnolo: I wish to publicly thank this great Archangel, who on his feast day enabled me to upload the Perpetual Supplica video in 24 minutes, when it normally takes 100! It was a miracle of cellphone technology.

 

Palestrina: Sicut cervus

 

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Sicut cervus, a musical composition of a text used to promote devotion to the Sacred Heart of Jesus.

This performance is  by the Sistine Chapel Choir, directed by Massimo Palombella.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Agnus Dei

 

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Angus Dei, a musical composition for Mass.

This performance is  by the Oxford Cammerata, conducted by Jonathan Summerly.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Ego sum panis vivus

 

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Ego sum panis visus, a musical composition for the the Feast of Corpus Christi. The Latin title, means, I am the living Bread.

This performance is  by the King’s Singers.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Tu es Petrus!

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Tu est Petrus, a musical composition for the Feast of Saint Peter the Apostle.

This performance is  by the Tallis Scholars, with Peter Philips conducting.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Alma Redemptoris Mater

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Alma Redemptoris Mater, a musical composition for the hymn of the Divine Office during Christmas seasons, which hails Our Lady as Mother of the Redeemer, a title She merited by Her Fiat on March 25, which is soon approaching..

This performance is  by the Tallis Scholars..

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Stabat Mater dolorosa

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Stabat Mater dolorosa, his musical composition for the hymn written by the Franciscan Bl. Thomas of Celano which commemorates the sorrows of Our Lady during the Passion of Our Lord Jesus Christ.

This performance is  by the Tavener Consort.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa Assumpta est Maria in Caelum

https://youtu.be/IksdCSgB–g

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.

This performance is  by Peter Phillips, conductor and the Tallis sholars.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa brevis

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Missa brevis, a piece which is so named because of its shortness in length of time the voices sing.

This performance is  by Peter Phillips, conductor and the vocal group “Intrada” headed by Ekaterina Antonenko. It was performed at the Rachmaninov Hall, Moscow Conservatory, Moscow, Russia.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa Papae Marcelli

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Missa Papae Marcelli, a piece which was composed for the feast of the Martyr Pope Marcellus.

This performance is by Oxford Cammerata – Scholar Cantorum of Oxford, conducted by Jeremy Summerly.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Lamentationes Ieremiae prophetae

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his Lamentationes Ieremiae prophetae, a piece which was composed for Holy Week, since it is from this prophet that the Fathers of the Church draw themes for the betrayal of Christ. The author of this video has illustrated it with images of Our Lady, since the Saints have often put these lamentations in the mouth of Our Lady of Sorrows, to help us understand Her sorrow after the burial of Her son and before His resurrection.

This performance is by Pro Cantione Antiqua with Bruno Turner conducting.

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.

 

Palestrina: Missa Aeterna Christi munera

As we continue our perusal of the sacred repertoire of  Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, whose fame has never been extinguished, we sample his Missa Aeterna Christi munera, so called, because it was composed for the Feast of Saints Peter and Paul, the Hymn for which begins with those words..

This performance is by the Oxford Camerata with  Jeremy Summerly conducting

FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.