https://youtu.be/IksdCSgB–g
WISHING EVERYONE A BLESSED FEAST OF THE ASSUMPTION
Behold, Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, who sanctified this Feast with his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.
This performance is by Peter Phillips, conductor and the Tallis sholars.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Complete Collection of Hymns for Holy Week.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
https://youtu.be/B5JH6QL7F3w
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Missa Salve Regina, a Mass written in honor of Our Lady..
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Officium Defunctorum, that is, the Divine Office for the repose of the soul of one who has died.
The is performance is by Chorus Tomás Luis de Victoria (Granada) directed by Pablo García Miranda, along with the Zenobia Scholars directed by- Director Rupert Damerell, and was performed on Nov. 15, 2015, at the Monastery of San Jerónimo, Granada, and organized by Juventudes Musicales de Granada.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Responsiones for the Tenebrae, a which is celebrated on Holy Wednesday morning in the Ancient Roman Rite.
This performance is by the University of Texas Chamber Singers, James Morrow conducting, at the Mission of the Immaculate Conception, San Antonio, Texas, USA.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his O Domine Iesu Christe, a Hymn for Palm Sunday and Good Friday.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Salve Regina, the Marian Hymn known in English as, the Hail Holy Queen.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his The Reproaches, or Improperia, which are normally chanted on Good Friday as an expression of Christ lamenting His rejection by the Jewish people.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.