https://youtu.be/IksdCSgB–g
WISHING EVERYONE A BLESSED FEAST OF THE ASSUMPTION
Behold, Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, who sanctified this Feast with his Missa Assumpta est Maria in caelum, the Mass for the Assumption of Our Lady unto Heaven.
This performance is by Peter Phillips, conductor and the Tallis sholars.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Complete Collection of Hymns for Holy Week.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
https://youtu.be/B5JH6QL7F3w
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Missa Salve Regina, a Mass written in honor of Our Lady..
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Officium Defunctorum, that is, the Divine Office for the repose of the soul of one who has died.
The is performance is by Chorus Tomás Luis de Victoria (Granada) directed by Pablo García Miranda, along with the Zenobia Scholars directed by- Director Rupert Damerell, and was performed on Nov. 15, 2015, at the Monastery of San Jerónimo, Granada, and organized by Juventudes Musicales de Granada.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Responsiones for the Tenebrae, a which is celebrated on Holy Wednesday morning in the Ancient Roman Rite.
This performance is by the University of Texas Chamber Singers, James Morrow conducting, at the Mission of the Immaculate Conception, San Antonio, Texas, USA.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his O Domine Iesu Christe, a Hymn for Palm Sunday and Good Friday.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Salve Regina, the Marian Hymn known in English as, the Hail Holy Queen.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his The Reproaches, or Improperia, which are normally chanted on Good Friday as an expression of Christ lamenting His rejection by the Jewish people.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the repertoire of the sacred polyphony of Tomás Luis de Victoria, the most famous composer of 16th Century Spain, we feature today his Officium defunctorum, or Office for the Dead. The office of the dead was the Divine Office recited on the days of funerals or commemorations of the deceased.
This performance is by the Tallis Scholars, with Peter Phillips, conducting, along with the Collegium Vocale of Gent, conducted by Philippe Herreweghe
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Having lingered among the works of Palestrina, the most famous composer of sacred polyphony in Italy in the 16th century, we pass to Tomás Luis de Victoria, the most famous composer of the same, in 16th Century Spain. Today we feature is Ave maria.
This performance is by the Royal Choir of Catalunya, with Jordi Savall conducting.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Having lingered among the works of Palestrina, the most famous composer of sacred polyphony in Italy in the 16th century, we pass to Tomás Luis de Victoria, the most famous composer of the same, in 16th Century Spain. Today we feature is Office for Palm Sunday, which is a sublime celebration of Our Lord Jesus Christ’s Entry into Jerusalem. De Victoria composed this ornate piece, because in the time of the Council of Trent, the Catholic faithful had the habit of attending the Divine Office during Holy Week, which was celebrated with great reverence by a clergy who had great faith and great respect for things divine.
This performance is by the famous Monks of Santo Domingo de Silos (Espagne).
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Maria caelorum.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Ave Regina caelorum, the Marian Antiphon to be used in the Roman Missal from February 2 until Wednesday of Holy Week.
The performance is by Chanticleer.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Exsultate Deo, the Introit for Feriae IV in the Ember days of September.
The performance is by the Voices of Ascension.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we hear his Iesus rex admirabilis, a hymn in honor of Christ the King but perhaps written for occasions of Exposition of the Most Blessed Sacrament.
The performance is by the Monteverdi Choir, conducted by John Eliot, in a Youtube Video which has garnered more than 1 million views since Sept 2008.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample the Gloria from his Missa papae Marcelli, in a performance by the Sistine Chapel Choir, in the presence of Pope Benedict XVI on the Feast of Saint Peter and Paul, June 2011, in the occasion of his 60th Anniversary of priestly ordination.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As there is no day of the year in which this Great Archangel is so joyful for having been tasked by Almighty God to bear His Message of Divine Mercy to mankind we can do no better than to rejoice with this Great Archangel and pledge to him that from now on we shall be especially loyal to God Most High and devoted to the Most Holy Ever Virgin Mary, Mother of Our God and Savior!
https://youtu.be/6FxVPcHgAsM
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Missa Gabriel Archangelus, a musical composition for the feast of the Archangel on March 24.
This performance is by the Choir of Swiss Radio.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Br. Bugnolo: I wish to publicly thank this great Archangel, who on his feast day enabled me to upload the Perpetual Supplica video in 24 minutes, when it normally takes 100! It was a miracle of cellphone technology.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Sicut cervus, a musical composition of a text used to promote devotion to the Sacred Heart of Jesus.
This performance is by the Sistine Chapel Choir, directed by Massimo Palombella.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Angus Dei, a musical composition for Mass.
This performance is by the Oxford Cammerata, conducted by Jonathan Summerly.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our perusal of the sacred repertoire of Giovanni Pierluigi da Palestrina, the greatest Italian composer of the 16th century, we sample his motet Ego sum panis visus, a musical composition for the the Feast of Corpus Christi. The Latin title, means, I am the living Bread.
This performance is by the King’s Singers.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.